for LARGE ENSEMBLE

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Dreams of a Young Piano (2014/2016), 10'/10'

for solo piano, two percussionists, and nine-piece mixed ensemble

(in two movements, 20’; first movement may be performed alone, 10’)

 

Transcriptions of Place (2012), 10'

for orchestra (2-3-2-2, 2-2-2-1, hp, pno, 2 perc, strings)

 

“and then one day…” (2003), 18'

for flute, oboe, clarinet, bassoon, two string quartets, double bass, and narrator

 

Flux (1999), 3'

for string orchestra

 

for CHAMBER ENSEMBLE

 

Inflection: Two (2023), 12-13'

for alto saxophone, percussion, and open ensemble

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Three Adaptations (2021), 10'

for cello and piano

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Inflection: One (2021), 10-12'

for alto saxophone and percussion

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April Earth (2019), 10'

flute, clarinet, mezzo-soprano

hybrid score blends notation and guided improvisation

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Violent Tender (2017), 8'

for percussion quartet

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Sound Body/Sound Space (2017), 5-10'

for any duo, open instrumentation

graphic score

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Duo for Flute and Percussion (2014),16'      

for bass and c flutes and percussion

score: first half, notated; second half, guided improvisation

 

Four Poems of Li-Young Lee (2012),14'

for soprano and speaking percussionist

 

Stills; edges. Five small pieces and some number of interludes and moments (2010/Rev.2011)

for flute/alto fl, clarinet in Bb/bass cl, violin, viola, cello, piano, and percussion, 16’

 

To unnamed things (2009), 9' 

for soprano, double bass and percussion

 

Utterance for string quartet (2006/07), 15’

 

Undulations (2002), 20'

for flute/picc, English horn, bassoon, trombone, harp, viola, two percussionists

 

Duo for Cello and Clarinet (1999), 10’    

 

Duet in Magenta (1999), 4'

for tenor saxophone and piano

           

for SOLO PERFORMERS

 

Breath I (2020), 7' (variable)

for solo percussionist (and voice)

spatial notation, breath-based phrases

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Your Hat, solo in American Sign Language (2018), 18'

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Threaded Spaces, for solo piano (2018), 6'

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Counterpoints for Piano (2018), 12' (variable)

form: performer determines ordering of some fragments

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Relay/Replay for flute and tape (2015), 9’

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Carvings: Solo for Flute and Voice (2010/Rev.2011), 9’

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Étude for Cello: bow as breath (2010), 7’                                                                                                          

Piano Suite for Joanna (2001), 10'   

for the young musician

 

Solo for Oboe (1999), 9’

 

Solo for Cello (1999), 4’

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INSTALLATION/MULTIMEDIA

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Breath/Carries/Ritual, concert length, in progress

collaboration with Jennifer Torrence and Ayako Kato

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J's Story, (2020)

from Everyday Voices & Voids

a collaboration with Bonnie Whiting, percussion; Afroditi Psarra, Digital Arts;

Audrey Desjardins, Interaction Design at University of Washington

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Seasons of Lamentations (2017)

sound/art/dance/video installation

collaboration with faculty, staff, and students at Beloit College

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Sound Tree (2012)

sound installation of wood, paper, eucalyptus leaves, yarn, musical triangles, triangle beaters

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