for LARGE ENSEMBLE
Dreams of a Young Piano (2014/2016), 10'/10'
for solo piano, two percussionists, and nine-piece mixed ensemble
(in two movements, 20’; first movement may be performed alone, 10’)
Transcriptions of Place (2012), 10'
for orchestra (2-3-2-2, 2-2-2-1, hp, pno, 2 perc, strings)
“and then one day…” (2003), 18'
for flute, oboe, clarinet, bassoon, two string quartets, double bass, and narrator
Flux (1999), 3'
for string orchestra
for CHAMBER ENSEMBLE
Inflection: Two (2023), 12-13'
for alto saxophone, percussion, and ensemble (open instrumentation, variable size)
Three Adaptations (2021), 10'
for cello and piano
Inflection: One (2021), 10-12'
for alto saxophone and percussion
April Earth (2019), 10'
flute, clarinet, mezzo-soprano
hybrid score blends notation and guided improvisation
Violent Tender (2017), 8'
for percussion quartet
Sound Body/Sound Space (2017), 5-10'
for any duo, open instrumentation
Duo for Flute and Percussion (2014),16'
for bass and c flutes and percussion
score: first half, notated; second half, guided improvisation
Four Poems of Li-Young Lee (2012),14'
for soprano and speaking percussionist
Stills; edges. Five small pieces and some number of interludes and moments (2010/Rev.2011)
for flute/alto fl, clarinet in Bb/bass cl, violin, viola, cello, piano, and percussion, 16’
To unnamed things (2009), 9'
for soprano, double bass and percussion
Utterance for string quartet (2006/07), 15’
Undulations (2002), 20'
for flute/picc, English horn, bassoon, trombone, harp, viola, two percussionists
Duo for Cello and Clarinet (1999), 10’
Duet in Magenta (1999), 4'
for tenor saxophone and piano
for SOLO PERFORMERS
Breath I (2020), 7' (variable)
for solo percussionist (and voice)
spatial notation, breath-based phrases
Your Hat, solo in American Sign Language (2018), 18'
Threaded Spaces, for solo piano (2018), 6'
Counterpoints for Piano (2018), 12' (variable)
form: performer determines ordering of some fragments
Relay/Replay for flute and tape (2015), 9’
Carvings: Solo for Flute and Voice (2010/Rev.2011), 9’
Étude for Cello: bow as breath (2010), 7’
Piano Suite for Joanna (2001), 10'
for the young musician
Solo for Oboe (1999), 9’
Solo for Cello (1999), 4’
Breath/Carries/Ritual, concert length, (2023)
devised in collaboration with Jennifer Torrence and Ayako Kato
J's Story, (2020)
from Everyday Voices & Voids
a collaboration with Bonnie Whiting, percussion; Afroditi Psarra, Digital Arts;
Audrey Desjardins, Interaction Design at University of Washington
Seasons of Lamentations (2017)
collaboration with faculty, staff, and students at Beloit College
Sound Tree (2012)
sound installation of wood, paper, eucalyptus leaves, yarn, musical triangles, triangle beaters