Compositions
for LARGE ENSEMBLE
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Dreams of a Young Piano (2014/2016), 10'/10'
for solo piano, two percussionists, and nine-piece mixed ensemble
(in two movements, 20’; first movement may be performed alone, 10’)
Transcriptions of Place (2012), 10'
for orchestra (2-3-2-2, 2-2-2-1, hp, pno, 2 perc, strings)
“and then one day…” (2003), 18'
for flute, oboe, clarinet, bassoon, two string quartets, double bass, and narrator
Flux (1999), 3'
for string orchestra
for CHAMBER ENSEMBLE
Inflection: Two (2023), 12-13'
for alto saxophone, percussion, and ensemble (open instrumentation, variable size)
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Three Adaptations (2021), 10'
for cello and piano
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Inflection: One (2021), 10-12'
for alto saxophone and percussion
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April Earth (2019), 10'
flute, clarinet, mezzo-soprano
hybrid score blends notation and guided improvisation
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Violent Tender (2017), 8'
for percussion quartet
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Sound Body/Sound Space (2017), 5-10'
for any duo, open instrumentation
graphic score
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Duo for Flute and Percussion (2014),16'
for bass and c flutes and percussion
score: first half, notated; second half, guided improvisation
Four Poems of Li-Young Lee (2012),14'
for soprano and speaking percussionist
Stills; edges. Five small pieces and some number of interludes and moments (2010/Rev.2011)
for flute/alto fl, clarinet in Bb/bass cl, violin, viola, cello, piano, and percussion, 16’
To unnamed things (2009), 9'
for soprano, double bass and percussion
Utterance for string quartet (2006/07), 15’
Undulations (2002), 20'
for flute/picc, English horn, bassoon, trombone, harp, viola, two percussionists
Duo for Cello and Clarinet (1999), 10’
Duet in Magenta (1999), 4'
for tenor saxophone and piano
for SOLO PERFORMERS
Breath I (2020), 7' (variable)
for solo percussionist (and voice)
spatial notation, breath-based phrases
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Your Hat, solo in American Sign Language (2018), 18'
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Threaded Spaces, for solo piano (2018), 6'
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Counterpoints for Piano (2018), 12' (variable)
form: performer determines ordering of some fragments
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Relay/Replay for flute and tape (2015), 9’
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Carvings: Solo for Flute and Voice (2010/Rev.2011), 9’
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Étude for Cello: bow as breath (2010), 7’
Piano Suite for Joanna (2001), 10'
for the young musician
Solo for Oboe (1999), 9’
Solo for Cello (1999), 4’
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INSTALLATION/MULTIMEDIA
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Breath/Carries/Ritual, concert length, (2023)
devised in collaboration with Jennifer Torrence and Ayako Kato
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J's Story, (2020)
from Everyday Voices & Voids
a collaboration with Bonnie Whiting, percussion; Afroditi Psarra, Digital Arts;
Audrey Desjardins, Interaction Design at University of Washington
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Seasons of Lamentations (2017)
sound/art/dance/video installation
collaboration with faculty, staff, and students at Beloit College
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Sound Tree (2012)
sound installation of wood, paper, eucalyptus leaves, yarn, musical triangles, triangle beaters
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